Inside Secrets to Greeting Card Writing Revision

Inside Secrets to Greeting Card Writing Revision The legendary Emily Dickinson once stated, â€Å"A wounded deer leaps the highest.†Ã‚   The same holds true for successful greeting card writers. We constantly pour out creative ideas into verses in hopes of landing a sale, and when some of our creations receive rejection, taking a leap to revision is our wisest recourse. Greeting Card Publisher Oatmeal Studios (www.oatmealstudios.com), accepts short humorous verses that possess a punch line sure to bring a smile to the toughest consumer. Sun Day Greetings (www.sundaygreetings.com), however, is more subtle regarding humor and sentimental verse. In lieu of this, is it possible to revise a rejected verse like this: (Picture of a pretty woman sitting on a bus bench) O:   Dear friend, getting older I:   is such a bummer! Let’s try lightening this statement up to the one hundredth power! (Picture of a beautiful older woman dressed impeccably.   Her husband escorts her to the table at a restaurant.   Her husband speaks.) O:   Getting older I:   sure looks amazing on you!   Happy Birthday! Understanding what is not working and opening up your mind to telling a more interesting story are the keys to revision. Whenever a publisher requests to see samples of my work, I like to have sample verses handy that I can just cut and paste in an email like the one below: (Picture of a cat standing on two paws/the other two paws rest in a chair. A birthday cake and a bottle of champagne sit on a table near O:   Break open the bubbly! I:   And don’t forget to pour a little bit in my bowl! Happy Birthday. Try a few of your own Wordy Verses    Most people tend to wait until the last minute to shop for a birthday party or any other special occasion. Imagine a consumer in a store with only a few minutes to choose the perfect card. Consumers prefer words that have a smooth flow- a perfect rhythm. Wordy verses like â€Å"your caring loving beautiful character† and â€Å"you’re the super kindest most thoughtful angelic person I know† are simply too much to chew on, especially when you are in a rush. Publishers avoid buying wordy verses because consumers avoid them as well! Instead, aim for clarity. The Sentimental Publisher There are publishers that prefer emotional-type verses like Blue Mountain Arts (www.sps.com). I love writing these type of verses because I have so many family members and friends who invoke loving emotions within me.  Ã‚  Ã‚   Revise rejected sentimental verses List what makes the recipient unique. State feelings the recipient invokes. Explain the hopes you have for the recipient on the occasion   Ã‚   you’re celebrating. What to Do When Revisions Do Not Work If you have revised your piece with no success, keep hope alive!   Send your work to another publisher. Another pair of eyes may be just what you need to make a sale. Reach For Success According to the Greeting Card Association, the greeting card industry raked in over seven billion dollars in annual retail sales last year. That is more than enough incentive to aim high

Information About the Nut-Producing Allegheny Chinkapin

Information About the Nut-Producing Allegheny Chinkapin Chinkapin or chinquapin is a small tree found throughout the southeastern United States. It has one nut in a burr that opens into two halves which gives the tree a distinctive chestnut look. Botanists have now condensed the trees grouping of taxa to a single tree, Castanea pumila var. pumila and now consider that the chinkapin is one species comprising two botanical varieties: vars. ozarkensis and pumila. This tree should not be confused with chinquapin oak. The Allegheny chinkapin, also called common chinkapin, may well be the most ignored and undervalued native North American nut tree. It has been widely hailed as a sweet and edible nut and has been of value to its cousin, the American chestnuts breeding programs. It is, however, a small nut encased in a tough bur which makes for difficulties in harvesting the nut. Chinkapin Specifics Scientific name: Castanea pumilaPronunciation: cast-ah-neigha pum-ill-ahCommon name(s): Allegheny chinkapin, common chinquapin, American chinkapinFamily: FagaceaeUSDA hardiness zones: USDA hardiness zones: USDA hardiness zones: 5b through 9AOrigin: native to North America The Special Little Chinkapin Nut The chinkapins fruit is an interesting small, bur covered nut. The bur has sharp spines, 3/4 to 1 1/2 inches in diameter. Often the burs form in clusters on stems but each bur contains a single, shiny brown chestnut-like nut. Nuts are edible and quite sweet when mature in the fall. A horticulturist once remarked, the Allegheny chinkapin makes your mouth water but to see it makes your eyes water, obviously liking both the trees beauty and bounty. Other experts suggest that the tree is well worthy of cultivation as an ornamental shade tree, even if we leave out of the account its rapid growth, productiveness, and delicious little nuts, which will be very acceptable for home use. There are several online sources where you can purchase the tree. General Chinkapin Description Castanea pumila var. pumila can be characterized as a large, spreading, smooth-barked multistemmed shrub, 10 to 15 feet tall, or as a small tree occasionally single stemmed and 30 to 50 feet tall. Large trees are sometimes found in the landscape, especially where they have been groomed and encouraged to grow and where there are few competing trees. Chinkapin Leaf Characteristics Leaf arrangement: alternateLeaf type: simpleLeaf margin: toothedLeaf shape: elliptical; oblongLeaf venation: parallel side veinsLeaf type and persistence: deciduousLeaf blade length: 3 to 6 inchesLeaf color: greenFall color: yellow Chinkapin Nut Harvest The Allegheny chinkapin is normally ready for harvesting in early September in the upper tree hardiness zones and later in the lower portion of the trees natural range. These nuts need to be harvested as soon as they mature. Prompt nut collection is a must as a large wildlife population can remove the entire crop in days. Again, one single brown nut is contained in each spiny green bur. When these burs start to separate and begin changing into a fall yellow color, its time for seed collection. The burs of chinkapin are normally no more than 1.4 to 4.6 cm in diameter and will split into two sections at nut maturity. Pests and Diseases of Chinkapin Chinkapins are fairly susceptible to the Phytophthora cinnamomi root rotting fungus as are many tree species. The tree can also suffer from the blight of the American chestnut. The Allegheny chinkapin seems to be somewhat resistant to the American chestnut blight which is a fungal disease caused by Cryphonectria parasitica. Only a few heavily cankered trees have been found in Georgia and Louisiana. Chinkapins that do blight will continue to sucker and send up shoots from the root collar despite the cankering and will produce fruit. Folklore Legend has it that Captain John Smith recorded the first European record of the chinquapin in 1612. Cpt. Smith writes, The indians have a small fruit growing on little trees, husked like a chestnut, but the fruit most like a very small acorne. This they call Checkinquamins, which they esteem a great daintie. Bottom Line Allegheny chinkapins are prolific producers of sweet, nutty flavored, small chestnuts. They have attractive foliage and flowers, although the odor at blossoming time is considered unpleasant. Horticulturist Michael Dirr says Allegheny chinkapin, has entered my plant life since moving south and makes, as I have seen it, a small shrub that could be used for naturalizing and providing food for wildlife. The great drawback of Allegheny chinkapin is its small nut size and the added disadvantage that many nuts stick fast in the bur at harvest and have to be removed by force. Because these nuts are small, are difficult to harvest and can germinate before harvest time, they have limited potential as a commercial crop. Good news is that the trees small size, precocity, and heavy production may be useful characteristics to breed into the commercial chestnut species. The chinkapin is adapted to a wide range of soils and site conditions and should be considered for its wildlife value. The nuts are eaten by a number of small mammals such as squirrels, rabbits, deermice, and chipmunks. By cutting the stem at the ground surface, dense thickets can be established within a few years to provide food and cover for wildlife, especially grouse, bobwhite, and wild turkey.

Medical Admission Essay Example | Topics and Well Written Essays - 1000 words

Medical Admission - Essay Example I was feeling very embarrassed because it took me the longest to scrub into surgery, so I decided that I needed to leave the surgery first to get a head start preparing for the next surgery. In addition, I wanted to grab a cup of coffee to help wake me up. I was still wearing the surgical hat and smock as I passed through the double doors of the entrance of the surgical wing. While I was passing through the doors, an older man approached me and asked if Catalina was okay. He had the look of worry and fear in his eyes. I did not know what to say because I was not a doctor. Before I could say anything, the rest of his family members, who were sitting on the chairs lining the hallway, got up and approached me. All of them with the same look of fear and concern asked me questions about Catalina. I was not sure if I should say anything, but I felt the need to say something to comfort them during what must have been the longest hour of their lives. I told them the operation went well and C atalina was going to be just fine. Their eyes and faces immediately became full of joy and happiness. They hugged me, thanked me, and the mother and grandmother even kissed me. That moment motivated me to become a physician. I had never felt anything like that before. It was at that moment when I made the final decision to serve the mankind by becoming a doctor. A month before traveling to South America to shadow my uncle for the summer, I had been volunteering at a hospital next to campus for about a year.  

Researching Media,Communication and Culture Essay

Researching Media,Communication and Culture - Essay Example Additionally, the story that received the most user comments for the day will be analyzed in terms of these comments. The study limitations are recognized as the challenge of making broad assumptions regarding these findings. TABLE OF CONTENTS I. Introduction and Theoretical Framework†¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦...†¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦4 II. Purpose of the Study†¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦..†¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦..†¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦.†¦Ã¢â‚¬ ¦5 III. Review of the Literature†¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦..†¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦...5 IV. Questions†¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦..†¦7 V. The Design – Methods and Procedures†¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦...†¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦7 VI. Limitations and Delimitations†¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦..†¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦10 VII. Significance of the Study†¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦.†¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦10 I. Introduction and Theoretical Framework The Hollywood entertainment industry emerged as a major cultural force in the early 20th century. While films were the driving-engine of growth, even in the early eras of Hollywood, celebrity fandom emerged as a major occurrence. It was not long before an entire star system emerged, where actors and actresses under contract with specific studios had projects tailored to them. This process continues throu gh the present day as movie stars receive multi-million dollar contracts for a single film. While such prices seem exorbitant to some they are justified because of the significant fans these stars can bring into the theatres. Hollywood hasn’t been the only one to capitalize on such fandom; one considers that today the connection between celebrities and fans extends into a realm of not just appreciation, but also gossip and human interest. Indeed, there are a number of highly popular websites, such as TMZ and Perez Hilton where fans not only view pictures of celebrities but also gain intimate knowledge of the details of their lives. Perhaps a foundational theoretical consideration in terms of the topic is the recognition that the very linguistic origins of the term celebrity share roots with such terms as ‘fame’ and ‘being thronged;’ the French ‘celebre’ means well-known in public (Marshall 1997). With such a fundamental link between cele brity and the public, it is little stretch to consider the important role fandom plays in the equation. While fandom is a regularly occurring aspect of our daily lives, with some individuals exhibiting varying degrees of fanaticism, perhaps the more fundamental question is the underlining significance of this. With the recognition of these understandings in mind this research sets about investigating the motivating influences of fandom. II. Purpose of the Study The study seeks to identify the primary reasons individuals are interested in celebrity gossip. Additionally, it recognizes that there may be underlining issues the individuals are not aware of or external conditions that motivate their interest; as such the study is exploratory in that attempts to unearth and articulate cursory concerns as reflective or conflicting with past research paradigms. III. Review of the Literature There have been a number of research perspectives on the nature of fandom. It’s been argued tha t, â€Å"the emergence of celebrity as a public preoccupation is the result of three major interrelation

The formation of friction ridge skin

The formation of friction ridge skin The formation of friction ridge skin and how it relates to the permanence of fingerprints A large part of the human body is protected by a layer of skin that is reasonably free from difficulties or impediments. Friction Ridges can be found on our fingers, the bottom of our feet and on the palms of our hands. They are called friction ridges is because one of their main functions is to help us easily take hold of objects (Girard, 2008). The friction ridges deposits things like sweat and other types of contaminants directly to any surface that it comes in contact with. The impression which is left behind is an exact reproduction of the part of friction ridge skin that touched the surface. A lot of times the impression cannot be seen with the naked eye so hence the reason why it is called a latent print, which means that the print is there but not clear to the vision (Keogh, 2001). During the third to fourth month of the development of a fetus fingerprints are distinguished. These fingerprints are made up of individual traits known as bifurcations, ridge endings, dots and many other ridge shape differences. Single kinship of individual distinguishing trait does not change throughout an individuals life, until the individual dies and the body decomposes (Keogh, 2001). After the fingerprint of the infant is formed, the growing ridges are a lot like taking a pen and drawing a face on a balloon then blowing up the balloon to see if the face will open up consistently in all different directions. Perverse alterations to fingerprints include cuts or injuries that are very deep and penetrating all layers of the outer epithelial layer of the skin and other diseases like leprosy (Girard, 2008). Except for if an individual has any type of cuts, or scarring on the fingers their prints never change and there is no similarity between two fingerprints. The lines on the hands and feet of all individuals have three characteristics (ridge endings, bifurcations and dots) which are evident in sequences that never recur on the feet and hands of any two individuals. A ridge ending is merely the end of a line (also known as an ending ridge). A split of an individual ridge that is shaped into two is known as a bifurcation. A short ridge that is similar to a dot is called a dot. Up until recently these two premises has been introduced as three propositions. The first is that before birth friction ridges are developed on the unborn. Secondly, there is no change of friction ridges as an individual age and throughout their lifetime with the exception for scars left permanently from an accident or serious injury. Thirdly, the patterns and details in areas that are very small on friction ridge s are unlike any other and are never recurring What is the scientific method, and how is this theory applied to fingerprint analysis? The scientific method also known as ACE-V is the abbreviation for the analysis or modified version of the scientific method that is followed by friction ridge examiners: Analyzing, Comparing, Evaluating, Verifying. The first time that ACE-V was used for physical evidence was in 1960 and ridge detail in 1980. Inspector Roy A. Huber, RCMP, developed the ACE-V process and Sergeant David Ashbaugh, RCMP, made this process popular among the friction ridge identification field. Analyze The first step which is analysis, compels the expert to test and dissect all variables that has an affect on the friction ridge characteristics in question. Once latent fingerprints are being tested there are quite a few factors that one has to be considered and probed into. Some of these factors are the material upon which the latent print has been placed, the process of development, pressure distortion, and elements on the outside like blood and grease. The amount and type of latent print ridges has an effect on the testers competence to carry out the next phase. The end of the analysis process determines whether there is sufficient information existing to go on to the next step (Jones, 2006). Compare The process of comparing bring into play the known model with which the latent print must be compared. At this particular point, there is also another aspect of analysis occurring. This analyzing is of the known model in an effort to bring about the suitability for achieving the end result set out in the information above. There is a possibility that the recognized model may have fingerprint images that had too much ink, or was smudged so therefore it was not reliable, stopping a comparison from being definitive. The process of comparison starts with determining the overall ridge circulation and fit in an effort to orient in a proper manner the latent print with an accompanying area of the known model fingerprint. This is usually followed by choosing key traits, understanding their position, trend and relationship and then showing the differences of this structure with the structure in the known models. The type and amount of this information directly affects how easy or di fficult the process is (Jones, 2006). Evaluate The conclusion of the comparing is the evaluating process or making a conclusion. The overall fingerprint society refers to the end result drawn as being one of three options. First, the two characteristics (the latent and the known print) were made by the exact finger of the same individual. Second, the latent characteristic has not been produced by any of the fingers of the model fingerprints. And thirdly, an ending of the comparing could not be accomplished, and this is due to the fact that there is not enough clarity or the lack of area to be compared in the known models. (Jones, 2006). Verify The final process is verification. The overall guide is that the process of establishing identity must be confirmed by another individual or expert who is qualified. This process of confirmation by a second examiner is a self governing test of both fingerprint characteristic (latent fingerprint and known model fingerprint) applying the scientific procedures of analysis, comparison and evaluation described above (Jones, 2006). There have been some recent challenges in New Hampshire vs. Richard Langill and Maryland vs. Bryan Rose. These two cases have pinpointed a couple of issues that are important for the latent print community: documentation and the rate of error. Each step of the ACE-V process or its equivalent needs better. In order to rebuild that analysis, enough documents are needed. By documenting the relevant information gathered during the analyzing, evaluating, and comparing of latent prints so the ground work for the conclusion (identifying, excluding, or inconclusive), the tester will produce a transparent record of the procedure and that way supply the courts with more information to determine how reliable that particular method is for a for a exact case. At present, examiners are not required to document, within a latent support, which features support both their reasoning and support.

Elements of Effective Layout by Dorothy Cohen Essay

Marketing, a strategy to attract a person’s attention to a visual element, is part of today’s commercially based economy. In Dorothy Cohen’s Elements of Effective Layout, the author illustrates her principle argument through means of persuasion focuses on how a given layout can indeed attract attention and how the dominant requisites of an effective marketing layout are, in fact, balance, movement, proportion, simplicity and clarity, unity and emphasis. Within the text, a segment focusing on unity and how it is an important element of attracting attention, Cohen argues: â€Å"A border surrounding an ad provides a method of achieving unity. Sets of borders may occur within an ad, and, when they are similar in thickness and tone they provide a sense of unity. † Here, the author debates about how the graphic requisites of attraction in advertising are crucial in order to spark interest to a viewer. This process is best defined when describing the unity requisite of graphic layout by Cohen when she describes the similarities in ‘thickness’ and ‘tone’ providing a strong sense of unity. The author begins by describing the balance requisite and how an advertisement can rely on how ‘visual weight’ is distributed within its ‘landscape’. In this first section of the article mathematical terms are used to illicit a sense of visual and spatial concepts, for example the ‘fulcrum’ or balancing point. In a secondary section, proportion is emphasized in regards to aesthetic layout in a graphic representation to best describe the size of an element in regards to the rest of the image/picture/advertisement. More specifically, it is demonstrated that non-proportional images use the proportion of a layout to fortify a particular theme or underlying message. In a third section, the movement aspect of graphic layout is explained as a sequence which enables directional flow in order to direct the interpreter into a coherent and cohesive manner. Typically via, either, gaze motion or structural motion which can differ from one individual to another. The fourth requisite of graphic layout is unity, this element being an important aspect of interpretation, is how Cohen identifies the combination of all aesthetic, structural and visual aspects of the image form a whole in order to display the intended message. This being the accumulation of the graphic representation as a whole is dominantly the main aspect when summing up the advertisement in its entirety. Particular attention is paid to form and the use of white space in order to bring out all aspects rendering a thorough representation of a particular theme or idea. Also, another section pertains to the clarity and simplicity, which tells us about how the message will generally be interpreted and what will be the outcome of such a message when displayed. Lastly, Cohen discusses emphasis in order to best identify how the most important element is emphasized in order to strengthen the intended point behind the advertisement. Although the information provided within this text is accurate, the segment concerning unity and how the border of a graphic layout achieves a sense of unity by adding a boundary is appropriate for the particular topic, but has a fallacy that of hasty generalization. For some, such boundaries help strengthen the image’s unity, but others may simply see such boundaries as limits or borders. This generalization is also hasty, because the thickness can identify the unity of the advertisement, but can also identify the particular look or style the creator is attempting to illustrate. The information within this passage is certainly accurate, but is not final. In my response, the provided information regarding graphic layout may be illegitimate, because I am not studying marketing, but as an individual or interpreter of an advertisement I know that borders that are similar in tone and thickness do help unify the image, but don’t make the graphic layout limitless or one-sided. As an interpreter, I can justly see such borders as a means to create boundaries keeping the strengths of the image concealed within a structured environment as opposed to a united one. This article helps illustrate the fundamentals behind graphic layout and advertisement in contemporary marketing strategies. Cohen reveals such concepts in an essay on unfairness about trade regulating rules where advertising takes a whole new approach towards legality of advertising and appropriate demonstrations of graphic layout (Cohen, 1982).

Why Are Strategic Decisions Different from Other Kinds of...

Why are strategic decisions different from other kinds of decisions? How? Why? Strategic decisions differ from other kinds of decisions because they are broad in scale, resource intensive, long term in nature, and surrounded by uncertainties. Strategic decisions are rare and usually have no precedent to follow, they are significant, resource intensive and require a lot of commitment at all levels. In addition, strategic decisions set the standard upon which lesser decisions and future actions are based. There are three main methods of making strategic decisions namely entrepreneurial, adaptive and planning. There is a fourth method, logical incrementalism that is largely regarded as a combination of the first three. The planning†¦show more content†¦Determination of cause and effect relationships is made more difficult by uncertainty about the time lag of effects in complex systems. In addition, there may be many-linked cause and effect chains. 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